Dear Friends,
I’m writing from Dallas, where I’m helping Smokin’ Joe Kubek & Bnois King cut their second Alligator album. Being part of the creative proc...
Dear Friends,
Last night I shared one of the most joyful musical experiences of my life—the last performance by my dear friends Saffire—The Uppity Blues Wome...
Dear Friends,
I just had the pleasure of spending five days in the studio with Tinsley Ellis, mixing his upcoming new album Moment Of Truth. Tinsley is proud...
Dear Friends,
I just finished mastering Guitar Shorty’s brand new Alligator album, We The People. It should bring Shorty some of the acclaim he’s always dese...
Dear Friends,
As I told you last time, we’re ending what I believe is the hardestbusiness year ever for blues record labels. Hopefully, next year, Alligator...
Dear Friends,
I’m writing this from the studio while I work with the engineer on the mixes for Rattleshake ,the new CD from Chicago’s happiest, rawest ...
Dear Friends,
This summer and fall I’ve been able to attend a few more festivals than usual, and see some thrilling performances. I’m writing this from Tuni...
Dear
Friends,
I
just returned from the Blues Foundation’s big Blues First
Weekend/International Blues Challenge in Memphis. The IBC is the
amateur (and sem...
Dear
Friends,
Like
so many other blues fans, as we come to the end of The Year Of The
Blues, I’m trying to figure out the future impact of this event in
blu...
Dear
Friends,
I’m
writing this a few days before the much-heralded series of Martin
Scorcese-produced films simply entitled The
Blues
airs on public televis...